๐ฏ๐๐๐ ๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐ต๐๐๐๐. ๐บ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐. ๐บ๐๐๐๐๐๐๐๐ ๐ฉ๐๐๐๐ (๐๐๐๐) ๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐, ๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐-๐๐๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐ ๐ ๐๐๐๐๐๐๐. ๐น๐๐๐๐๐๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐ฉ๐๐๐๐ ๐ฒ๐๐๐๐, ๐๐๐๐๐ ๐๐ ๐ ๐๐ ๐๐๐๐๐๐ ๐๐ ๐ฎ๐๐ ๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐ ๐๐๐๐ ๐ท๐๐๐๐ ๐บ๐๐๐๐๐ ๐ท๐๐๐๐๐๐ (๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐ ๐๐ ๐๐ ๐๐๐ -๐ฑ๐๐๐๐๐๐) ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐ด๐๐๐ ๐บ๐๐๐๐๐ ๐ท๐๐๐๐๐๐ (๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐ ๐๐ ๐๐ ๐๐๐ -๐ญ๐๐๐๐๐๐๐).
๐ป๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐ฒ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐ ๐ฎ๐๐๐ ๐ฉ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐ต๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐ณ๐๐๐๐๐๐, ๐๐ ๐ ๐๐๐๐๐๐ ๐๐ ๐ฎ๐๐๐’๐ ๐๐๐๐๐. ๐ป๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐ฎ๐๐ ๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐. ๐ป๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐ ๐บ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐ซ๐๐๐๐๐๐ ๐ท๐๐๐๐๐๐๐๐’๐ ๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ , ๐ณ๐๐๐ ๐บ๐๐๐๐, ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ . ๐จ๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐บ๐๐๐ ๐ซ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐ ๐ณ๐๐๐ ๐บ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐. ๐ฉ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐๐-๐๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐ฉ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐ w๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐๐. ๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐๐.
๐ซ๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐๐๐ ๐ฏ๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐, ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐ ๐๐ ๐๐ ๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐ . ๐พ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐-๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐.
D๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐ ๐ ๐ ๐๐. ๐ป๐๐ ๐๐๐๐๐-๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐ ๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐ซ๐๐๐, ๐ฎ๐๐ ๐บ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐. ๐ซ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐ ๐๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐บ๐๐ ๐๐๐ ๐, ๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐ ๐๐๐๐๐๐. ๐ฏ๐๐๐ ๐ ๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐ด๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐ฎ๐๐ ๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐๐, ๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐บ๐๐๐๐๐ ๐ ๐๐๐๐, ๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐-๐๐๐๐ ๐๐๐๐ ๐๐ ๐ด๐๐ ๐๐๐ ๐ต๐๐๐๐๐๐.
๐ป๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐ท๐๐๐๐, ๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐. ๐จ๐ ๐ ๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐ฉ๐๐๐๐, ๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐ด๐๐ ๐๐๐ ๐ต๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐ , ๐๐๐๐๐๐๐๐ ๐ฎ๐๐ '๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐. ๐ป๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐บ๐๐๐๐๐ ๐๐ ๐ท๐๐๐๐๐๐’๐ ๐ป๐๐๐๐๐๐ ๐ฎ๐๐๐, ๐ช๐๐๐๐๐ ๐ต๐๐๐๐๐๐, ๐ท๐๐๐๐๐๐๐๐ ๐ต๐๐๐, ๐ท๐๐๐๐๐๐๐’๐ ๐บ๐๐๐ ๐ต๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐บ๐๐๐๐๐. ๐ป๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐.
๐ถ๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐ ๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐. ๐ป๐๐๐ ๐ ๐๐ ๐๐ ๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐ถ๐ ๐ฒ๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐ ๐บ๐๐๐๐ ๐ณ๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐. ๐ณ๐๐๐๐, ๐๐๐๐ (๐๐๐๐๐๐๐) ๐๐ ๐๐๐ ๐๐ ๐บ๐๐๐๐ ๐ณ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐. ๐ฐ๐ ๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐ ๐บ๐๐๐๐๐๐๐๐ ๐ฉ๐๐๐๐ ๐ฒ๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐ .
๐๐ ๐๐ ๐๐๐ฅ๐๐ฃ๐๐ค๐ฅ๐๐๐ ๐๐๐๐ฅ๐ค ๐๐๐ ๐ฆ๐ฅ ๐๐จ๐๐ค๐ฅ๐๐๐๐ ๐น๐ฃ๐๐ฅ๐ ๐๐๐ฅ๐๐
A lot has been said and told regarding the festival, yet, here are some key interesting facts about Swasthani Brata Katha that you might have not heard yet:
1.๐ข๐๐ช๐ผ๐ฝ๐ฑ๐ช๐ท๐ฒ ๐ฒ๐ผ ๐ช ๐ฌ๐ธ๐ถ๐น๐ต๐ฒ๐ฌ๐ช๐ฝ๐ฎ๐ญ ๐ฏ๐ฒ๐ฐ๐พ๐ป๐ฎ
In Hindu mythologies, the women are portrayed in two major forms; a calm and compassionate figure with a male consort or a husband, eg. Parvati and Saraswati, while the second depiction is of unmarried, fierce and unforgiving girl, eg. Durga and Kali. Goddess Swasthani is both calm and composed, yet described as a fierce and unforgiving figure, like in the Chandrawati’s story. The popular depiction of Goddess Swasthani is of her sitting on a lotus flower between the Asthamatrika, eight protective goddesses. But, on a statue found at Makkhan, she has been depicted together with Lord Shiva, as her male consort.
2. ๐๐ฝ ๐๐ช๐ผ ๐ฏ๐ฒ๐ป๐ผ๐ฝ ๐๐ป๐ฒ๐ฝ๐ฝ๐ฎ๐ท ๐ฒ๐ท ๐๐ฎ๐น๐ช๐ต ๐๐ฑ๐ช๐ผ๐ช
Although it has not been proven, it has been suggested that Swasthani Brata Katha was first written in Nepal Bhasa as early as 693 Nepal Sambat or around 1573 AD by Jayanta Dev. One can see some evidence when one considers the dates on the manuscripts found, along with the printed versions of the books, and the language it was written in. Researchers have found that Nepal Bhasa texts, in comparison to Nepali, are more heterogeneous.
3. ๐ฃ๐ฑ๐ฎ ๐ผ๐ฝ๐ธ๐ป๐ ๐ฑ๐ช๐ผ ๐ฌ๐ฑ๐ช๐ท๐ฐ๐ฎ๐ญ ๐ธ๐ฟ๐ฎ๐ป ๐ฝ๐ฒ๐ถ๐ฎ
The text of Swasthani Brata Katha has changed considerably between the 16th and 21st centuries. The first 200 years of the texts were about Goma, Chandrawati, Navaraj and Swasthani. After that, three major additions have been seen. The first is in the story of Shiva and Parvati; the second is the narrative of Vishnu including Madhu-Kaitabha and the creation of the universe. The third is the stories about Vrinda, Kamadev and others. Two-thirds of the stories today have become of Shiva whereas only the latter part of the story is about Swasthani.
4. ๐๐ช๐ญ๐ฑ๐ช๐ฟ ๐๐ช๐ป๐ช๐๐ช๐ท ๐ช๐ท๐ญ ๐ข๐๐ช๐ผ๐ฝ๐ฑ๐ช๐ท๐ฒ ๐ณ๐ช๐ฝ๐ป๐ช๐ผ ๐ช๐ป๐ฎ ๐ญ๐ฒ๐ฏ๐ฏ๐ฎ๐ป๐ฎ๐ท๐ฝ
According to Vishnu Puran, both Lord Vishnu and Goddess Bajrayogini have 12 names for 12 months of the year. Their names for the 10th Nepali month (i.e. Magh) are Madhav Narayan and Swasthani respectively. This is also the reason why their forms are worshipped together this month. Due to the lack of iconography or visual depiction of the goddess outside modern times, there is confusion and people consider Madhav Narayan idols as Swasthani. Many take the Madhav Narayan Jatra and Swasthani Brata Katha as the same.
5. ๐ข๐ช๐ท๐ด๐ฑ๐พ ๐ฒ๐ผ ๐ฒ๐ถ๐น๐ธ๐ป๐ฝ๐ช๐ท๐ฝ ๐ฏ๐ธ๐ป ๐ฝ๐ฑ๐ฒ๐ผ ๐ฏ๐ฎ๐ผ๐ฝ๐ฒ๐ฟ๐ช๐ต
In an ancient book titled ‘Manishail Mahabadan’, there is a story of Lord Vishnu (Narayan), as the creator of the universe. The story says he once became powerless after which he came to Sankhu. There, he worshipped Goddess Bajrayogini as Goddess Swasthani, for which he took fast for 30 days, with 12 days of tirtha (pilgrimage), nine days for worshipping water resources and nine days worshipping the snake kings. After that, he got reinstated as the omniscient power of the universe. Following his footsteps, the followers started observing the fast for penance and believing their wishes will get fulfilled.
6. ๐๐ฝ ๐ฑ๐ช๐ผ ๐ช ๐ต๐ธ๐ฝ ๐ธ๐ฏ ๐ผ๐ฒ๐ถ๐ฒ๐ต๐ช๐ป๐ฒ๐ฝ๐ฒ๐ฎ๐ผ ๐๐ฒ๐ฝ๐ฑ ๐ฃ๐ฎ๐ฎ๐ณ ๐ช๐ท๐ญ ๐ข๐ฑ๐ป๐ช๐๐ช๐ท ๐ฏ๐ช๐ผ๐ฝ.
Swasthani Brata Katha shares similarities with Teej and Shrawan month fasting that Nepali women observe every year. In all of these festivals, the story of Goddess Parvati and her long fast to get Lord Shiva as her husband are referred to. Historians say the stories get interconnected because Parvati’s fast and meditation for ‘Shivawati’ was very long. She was advised by Lord Vishnu to do the Swasthani Brata to get her wishes to get fulfilled. She took fast for Teej, Shrawan, and Swasthani to achieve that, so we can see the connection there.
7. ๐๐พ๐ฝ, ๐ฝ๐ฑ๐ฎ๐ป๐ฎ ๐ช๐ป๐ฎ ๐ฝ๐ธ๐พ๐ฐ๐ฑ ๐ป๐พ๐ต๐ฎ๐ผ ๐ฏ๐ธ๐ป ๐ผ๐ธ๐ถ๐ฎ ๐ถ๐ฎ๐ท
In Sankhu, male residents from seven different families participate in the month-long festival as ‘saptarishis’ or seven sages, as per the tradition. If a family has more than one men, they share the responsibilities in turn. For the whole month, all seven follow a strict diet and rituals to stay pure.
They avoid salt, three-time meals, human touch, or any kind of luxury including the warmth of the bed, a roof over their heads, and shoes. They have to get up at 4 every morning, take a bath, perform pujas, and follow a strict diet of rice, milk, molasses, ghee, Nepali red radish (daikon), oranges and apples, which are usually offerings from the pilgrims.
8. ๐๐ฒ๐ต๐ฐ๐ป๐ฒ๐ถ๐ผ ๐ฟ๐ฒ๐ผ๐ฒ๐ฝ ๐ธ๐ฝ๐ฑ๐ฎ๐ป ๐ผ๐ฒ๐ฝ๐ฎ๐ผ ๐ช๐ต๐ผ๐ธ ๐ช๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐๐ช๐ฝ๐ฑ๐ถ๐ช๐ท๐ญ๐พ ๐ฟ๐ช๐ต๐ต๐ฎ๐
Hundreds of thousands of devotees throng Sankhu every year. Many take shelter on the premises of the temple whereas many people visit every day throughout the month. On the 13th day, the male devotees go to the Bajrayogini temple from Shalinadi to offer their prayers. This ritual is called Dun Danegu, when they lay flat on the ground with their hands stretched out front. They return to the riverside in the same way without taking a single step, on foot.
As a part of the ritual, they also reach Pashupatinath Temple in Kathmandu on the 14th day followed by their pilgrimage to Shesh Narayan temple at Pharping the next day. Similarly, they reach Tribeni Ghat of Panauti on the 19th day and Changunarayan on the 27th day. On each of the trips, they take a bath at the destinations, do puja, and come back to Sankhu to sleep.
9. ๐๐ฝ ๐ฒ๐ท๐ฟ๐ธ๐ต๐ฟ๐ฎ๐ผ ๐ช ๐พ๐ท๐ฒ๐บ๐พ๐ฎ ๐ฝ๐ป๐ช๐ญ๐ฒ๐ฝ๐ฒ๐ธ๐ท ๐ธ๐ฏ ๐ช ๐ต๐ธ๐ท๐ฐ ๐๐ช๐ต๐ด
Another reference made in ‘Manishail Mahabadan’ gives insight into this tradition. To complete his fasting ritual, Lord Vishnu needed a few items. For that, he first reached Pashupatinath to collect ekmukhi rudraksha, then to Pharping to collect golden lotus flowers, after that to Panauti to collect 108 types of flowers, and to Changunarayanto to collect rice grains from the Satyayug. He made the trips on foot. Pilgrims today make the same trip during the one-month long fast.
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